The Muse

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He is not afraid of appearing to be 'un-hip'. Actually that is the charm of most of his work. He has been compared to Woody Allen but I think that his work is much more universal.

The Muse (website) - Wikipedia

Woody's giant persona gets in the way of his stories whereas Brooks actually becomes a character. He does not play himself and does not comment of things. He 'plays' characters like a real actor. Andie MacDowell is good when a good script guides her. Sharon Stone was made for the role of the Muse.


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Her energy is sexy, ditzy as well as forceful. There are some cameos in this movie that are priceless and lend an air of authenticity to the side of Hollywood that most people have no access to. I have seen this movie a hundred times and it never fails to make me laugh. Visit Prime Video to explore more titles.

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  • The Muse by Jessie Burton review – a solid follow-up to The Miniaturist | Books | The Guardian!
  • Full Cast and Crew. With his career on the skids, a Hollywood screenwriter enlists the aid of a modern-day muse, who proves to test his patience. What is Emily Mortimer Watching? Jeff Bridges Movies I've Seen. Sharon Stone Movies I've Seen.

    Share this Rating Title: The Muse 5. Use the HTML below. You must be a registered user to use the IMDb rating plugin. Nominated for 1 Golden Globe. Learn more More Like This. Looking for Comedy in the Muslim World Defending Your Life Lost in America Jeff Bridges, Jon Abrahams, R.

    The Door in the Floor The Fabulous Baker Boys Edit Cast Cast overview, first billed only: Steven Phillips Sharon Stone Sarah Little Andie MacDowell Laura Phillips Jeff Bridges Jack Warrick Cybill Shepherd Cybill Shepherd Monica Mikala Olive has, unbeknown to them, turned down the offer of a place at the Slade, either from perversity or a sixth sense that another destiny awaits her. It seems to arrive in the shape of Isaac Robles and his half-sister Teresa, backstairs offspring of the local landowner, who waste no time insinuating themselves into the Schloss household.

    The suspense lies in whether they mean to help or harm. Teresa, only 16, believes Olive to be a genius of the paintbrush; Isaac, also an artist, is a political agitator seeking funds for a revolution whose inchoate signs the Schloss family prefer to ignore. Between them a plan is hatched to dupe Harold, secure the patronage of Peggy Guggenheim and launch a major new talent on the international art scene.

    The Muse by Jessie Burton review – a solid follow-up to The Miniaturist

    Burton, juggling the two narratives, sets off chimes and resonances in her double portrait of hidden creativity. One also detects an undercurrent of feminist indignation at the old hierarchical assumptions: Harold, in common with many of his kind, refuses to take seriously the idea that a woman, let alone his own daughter, might be a great artist. Burton constructs the dual plotline with painstaking craft, and has a good ear for the ambient interruptions of nature: If there seems a fiercer conviction in the Spanish panel of the story, it may be because Burton is more engaged by the processes of painting, and by the virtuosity of its effects.

    The bibliography she appends at the close indicates her immersion in the art history of the interwar years. She has also done her homework on the Spanish civil war.